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Who wants to play France at their home anyway?
A loss to them would have lingered longer.
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I refer the honourable gentleman to a previous (pre-game) comment: The Lounge[^]
Bad command or file name. Bad, bad command! Sit! Stay! Staaaay...
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Well the cooler fans won "clap" "ouhh"!
Rules for the FOSW ![ ^]
if(this.signature != "")
{
MessageBox.Show("This is my signature: " + Environment.NewLine + signature);
}
else
{
MessageBox.Show("404-Signature not found");
}
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Seriously, you should've kept Sven-Göran Eriksson.
But then again, winning with that team would have been a wonder of biblical proportions.
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R. Giskard Reventlov wrote: WARNING: Spoilers!!! The buggers who make the show have spoiled it already, so what harm can a few more spoilers do?
The average Sword & Sorcery is bad enough, but Sword & Sorcery soap opera?
<Wanders off in disgust>
I wanna be a eunuchs developer! Pass me a bread knife!
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God forbid someone add political intrigue and sexuality to a fantasy series. Oh, the horror!!!
The United States invariably does the right thing, after having exhausted every other alternative. -Winston Churchill
America is the only country that went from barbarism to decadence without civilization in between. -Oscar Wilde
Wow, even the French showed a little more spine than that before they got their sh*t pushed in.[^] -Colin Mullikin
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If by "political intrigue and sexuality" you mean "cheap drivel written by morons who understand nothing about the world outside of American couch-potato land", then yup.
I wanna be a eunuchs developer! Pass me a bread knife!
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Have you ever actually read one of the books or watched a season of the show?
To not like it is one thing, but to be that hyperbolic kinda makes you look like the moron.
The United States invariably does the right thing, after having exhausted every other alternative. -Winston Churchill
America is the only country that went from barbarism to decadence without civilization in between. -Oscar Wilde
Wow, even the French showed a little more spine than that before they got their sh*t pushed in.[^] -Colin Mullikin
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0. Yes, I have. If you still watch it and do not realise that it's turned into drivel, you should have your fanboi levels checked, because they're getting dangerously high.
1. I didn't use hyperbole. There is no "political intrigue" in the show (e.g. the things with the sparrow, and the "man" are poorly written drivel, pure and simple), and the "sexuality" is no more than "tits and @rses" titillation, to keep fanbois watching.
1+. As is so often the case with TV shows with US involvement, the characters have long since started to change character and become completely different people, every five minutes.
1++. An example of the mindless writing that make such drivel unwatchable to me: the "see" and "sea" thing, which was used to make some meaningful mindless point. Think about it; what does it mean? The mindless writer obviously didn't realise how completely moronic he was making himself look.
1++.2 The show is infested with (let's be gentle and call them "gaffes", shall we) as bad as or worse than that, of different flavours and in different fields (it's not just politics, human nature, characterisations, and linguistics that they appear to have no knowledge of or abilities with). It has so many shortfalls that it's unwatchable to anyone who does actually know how anything works and/or how to write about it.
I wanna be a eunuchs developer! Pass me a bread knife!
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AND there's not a single train or believable flag!
I wanna be a eunuchs developer! Pass me a bread knife!
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So, what swordsman is going to get the sorcerer in the end?
The language is JavaScript. that of Mordor, which I will not utter here
This is Javascript. If you put big wheels and a racing stripe on a golf cart, it's still a f***ing golf cart.
"I don't know, extraterrestrial?"
"You mean like from space?"
"No, from Canada."
If software development were a circus, we would all be the clowns.
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No, because the evil brother will work with the tennis coach to spread rumours around that the swordsman is having an affair with his wife's second cousin, and his father-in-law, who controls the business, will tell him to shape up or get fired, but will then get killed in a terrorist attack which will call to attention the shady dealings of the company's second-in-command, who will turn state's evidence and dump all the blame on the youngest son who......
Damn! this stuff just writes itself!
I wanna be a eunuchs developer! Pass me a bread knife!
modified 27-Jun-16 16:56pm.
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Mark_Wallace wrote: Damn! this stuff just writes itself!
I know. I worked in such a place, remember?
The language is JavaScript. that of Mordor, which I will not utter here
This is Javascript. If you put big wheels and a racing stripe on a golf cart, it's still a f***ing golf cart.
"I don't know, extraterrestrial?"
"You mean like from space?"
"No, from Canada."
If software development were a circus, we would all be the clowns.
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This has probably been discussed before, but why not go around again? (...and, of course, I'm too lazy to dig through the archives...)
So my wife got me the new RWBY disk, and I was looking forward to the fun of working on a side project in Ruby (the language) while binge watching all the seasons. I had just finished up the Trigun series doing this project, so it was time to change up the entertainment.
Thinking about it, though, it seems that a kind of system has emerged. When I'm working on C projects, I usually put in a series of horror movies: Mama, Mirror, Altitude, the new/old Evil Dead movies, etc. Must be something about demons and pointers that just go well together. Ruby, my newest coding language, seems to have me pulling from the anime shelf in my collection.
When I'm in the home office for my day job, I have VLC running through some playlists or albums on my headset so I can concentrate. But even there, I seem to have some go-to music, depending on what kind of project I'm working on. If it's a C# project, I tend to play Five Finger Death Punch or Disturbed a lot (that might be self-explanatory).
If it's a Java project, I tend to have Green Day or Meatloaf. OTOH, if it's working on the database design, I tend to play a lot more 80s stuff.
So my question is this: Has anyone else noticed that their taste in music or background noise seems to change according to what kind of work you are doing? Or is it truly just white noise to help you concentrate?
vuolsi così colà dove si puote
ciò che si vuole, e più non dimandare
--The answer to Minos and any question of "Why are we doing it this way?"
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I can't say that my musical tastes change with the project, but they do change with my level of alertness.
I usually listen to either Classical music or opera, but on the (thankfully) rare occasions when I have to work more than 12 hours, I put on some marching music to help me stay alert.
If you have an important point to make, don't try to be subtle or clever. Use a pile driver. Hit the point once. Then come back and hit it again. Then hit it a third time - a tremendous whack.
--Winston Churchill
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Yup! J.P. Sousa for heads-down pumping out code.
Otherwise, I just pick whatever strikes me:
Classical, film S.T., jazz, rock (classical/progressive), other misc.
"Fairy tales do not tell children the dragons exist. Children already know that dragons exist. Fairy tales tell children the dragons can be killed."
- G.K. Chesterton
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Absolutely, I have different playlists for different languages and even for specific projects. It has a big effect too, no concentration with the wrong project/playlist combo.
Maybe some sort of context-dependent memory thing going on?
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I used to just run through every song I had with shuffle on, but then (unintentionally) start to put certain albums or songs on repeat. I think that I've been seeing the same effects (good and bad), but wasn't really analyzing it until now.
Do you put together playlists and then pick them for a project/language type, or do you edit the playlists as you go along? I'm curious, because it seems like there might be something worth digging into a little. Maybe even a programmer-focused playlist addon to VLC or something?
vuolsi così colà dove si puote
ciò che si vuole, e più non dimandare
--The answer to Minos and any question of "Why are we doing it this way?"
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My playlists sort of evolve, I don't put any thought into putting them together (I'm not sure I could, I haven't found any particular logic behind it). Then I pick the one that "goes with" whatever I'm working on.
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If it's something that requires concentration, it's usually silence. If the background noise gets annoying then I'll put on something instrumental...like Steve Vai, Steve Morse, or Yngwie Malmsteen.
If it's robot coding, then I just put MP into shuffle and see what comes up. I still haven't gotten into streaming radio yet...I simply prefer my own collection...70's, 80's, metal, prog, blues, etc. (in no particular order)
"Go forth into the source" - Neal Morse
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I'm the guy who prefers to code all day in total silence - if I can hear a pin drop, even better. Noise distracts me, I can't understand how it can help anyone concentrate on anything.
That said, in noisy environments, I have put on headphones to listen to white noise to drown out ambient sounds like phones, conversations or music. That is, the kind that doesn't draw your attention and has no discernible repeating pattern.
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